Asa - Bast Fibres

I'm  reading a book on the history of Japanese fashion at the moment and came across the (unreferenced) statement that until the use of cotton became widespread 'linen from flax had been the most popular fibre' .  This is not correct! (And  of course makes me wonder what other factual errors there are in this book.) Cotton production didn't begin in Japan until the late 15th century and even after its use had  become widespread in the Edo period (1603-1868)  there were still people who couldn't afford or access cotton, especially in the north where it was too cold to be grown.  People in these areas continued to rely on the plant bast fibres which had been used  before cotton became available.  As well as hemp and ramie, which were both cultivated, wild plants and  trees such as wisteria, linden and paper mulberry were used for textiles. In some remote areas production of these  textiles continued up until the middle of the last century.  I don't know to what extent these skills have been handed down to the present generation.  In Okinawa a type of fibre banana or plantain called basho was also used to make fabric and the indigenous Ainu people in the north of Japan used  elm bark (ohyo). However,  linen from flax was not one that was grown or used! I think the confusion probably arises because these various plant fibres are often referred to under the umbrella term 'asa'.  Technically linen/flax is also a kind of asa  - and probably the most well-known kind of  asa in the west  - and so asa is sometimes mistakenly translated as linen.

Here are some asa examples from my collection. If you're interested in this topic I'll put some references at the end as well.

 
 This is a large linden fibre (shinafu) noren that hangs above my bed. (Accompanied by members of my sarubobo collection - which I also mean to write about at some point). Close up:

 

Bast fibre textiles  weren't exclusively worn by the rural poor. Often they were producing fabrics (for example very fine 'jofu' ramie)  which were intended for the urban market and which they themselves couldn't afford to wear .  This would be true of this kasuri  asa kimono. I have always thought that it was ramie but it may be hemp. It  isn't always easy to tell  - which is why garments in catalogues and books will often be simply labelled 'asa'.  

The lining is itajime kasuri. This is a type of kasuri developed in the 19th century in which instead of binding the threads before dying they are clamped between two carved boards (similar to print blocks) which creates a very detailed resist for dyeing and a fine, precise design when woven. 

The last one is  piece of bashofu from Okinawa woven from fibre banana:

Some useful references: 

Louise Allison Cort, 'Bast Fibers' in William Jay Rathbun (ed) Beyond the Tanabata Bridge: Traditional Japanese Textiles, Thames & Hudson, 1994   (If I could only have one book on Japanese textiles this is the one I'd choose!)

Riches from Rags: Saki-ori and other Recycling Traditions in Japanese Rural Clothing, San Francisco Craft & Folk Art Museum, 1994  (This has clear photos of various bast fibre jackets)

Anna Jackson, Japanese Country Textiles , V& A Publications, 1997

Goro Nagano & Nobuko Hiroi,  Base to Tip: Bast-Fiber Weaving in Japan and its Neighboring Countries, Shikosha Publishing, 1999  (This is in Japanese with some English, but lots of photos and diagrams for people interested in technical details . It's appears to be available on Amazon Japan - but it isn't cheap!)

Children's kimono Part 1

I often have customers asking  for kimono for their children to wear but unfortunately we don't have a lot of everyday children's kimono come through the shop (the cotton kasuri kimono you can see in the shop photo at the top of the blog is an exception).  Most of the old children's kimono we have are small children's ceremonial silk kimono which are usually quite expensive and more suited to hanging on the wall than wearing. This is simply because ceremonial kimono are the ones that have survived over the years. They were rarely worn and were then carefully stored as family treasures. In contrast a lot fewer everyday kimono have survived without being stained, torn and completely worn out or recycled into something else. And in more recent years children simply haven't worn kimono as everyday clothing.
Here are a few early-mid 20th century children's kimono from my collection. You can click on any of the photos to enlarge them for a closer look. The first one looks very similar to the cotton kasuri  kimono in the shop photo but is actually made of rayon. It's very worn and almost in tatters. Kasuri  is a  Japanese ikat, a textile technique in which threads are bound and dyed before they are woven. It's traditionally hand-dyed and woven in indigo on cotton but from the late 19th century various machine produced versions such as this became available.

People don't usually think of kimono being made from rayon but Japan developed a large rayon industry after the first world war and by the 1930's was one of the major producers in the world. We  get some lovely girls' rayon  kimono fabrics  from that period as well.  This kind of kasuri kimono was standard boy's wear in the early-mid 20th century as you can see from this old school photo from 1924:

The next one is a dark brown boy's padded cotton kasuri winter kimono from the 1930's. It's in excellent condition but the front is still  marked with reminders of a number of long ago meals.

The last one is my favourite. This is a very small child's summer kimono made from finely striped indigo dyed ramie. It's a similar age to the first two (or perhaps slightly older) and has probably been recycled from an adult's kimono. It still has a rusty safety pin in the front that has been used to fasten it.

None of these items are of much monetary value but have great value in my collection. They all have their own character and interest and add a little bit to our sense of  life in Japan in the pre-war years when traditional textiles were still part of everyday life.